A visit with
Margrit Tydings-Petrie
Margrit Tydings-Petrie
Yellow Springs, Ohio
Photography by c.bayraktaroglu aka jafabrit
Winner of the YSAC People's Choice Award 2013. There is a great review of her last exhibit Dancing With the Universe: Masks and Beyond on A Yellow Springs Blog.
Video by Susan Gartner
What kind of art do you do?
What kind of art do you do?
“A lot of different kinds of art.”
Margrit works a lot with Paper Mache. She collects recycled plastics containers and used Styrofoam. Piles of them are stored in bags around her studio. She covers them with Papier Mâché to make fantastical creatures, vibrant, verdant frames, colorful painted trays and containers and delightfully charming puppets and masks. She has been making puppets and masks for decades.
She paints whimsical pictures and finishes them in frames she makes from Styrofoam and Paper Mache and then paints the frames with flowers and leaves.
Working with what she can find, Margrit uses many ingenious ways to make art out of what most people throw out. She has taught Styrofoam printmaking and Paper Mache with many different kinds of students- from the emotionally challenged, to seniors, prisoners, and homeschoolers. Everybody in Margrit’s family was a teacher. When Margrit told her father that she wanted to be an artist. He said, “You can be an artist but try to help other people with it.” She has spent her life never turning away from outsiders in society. When no one wanted to teach in prisons, Margrit dedicated 17 years to teaching prisoners.
Working with what she can find, Margrit uses many ingenious ways to make art out of what most people throw out. She has taught Styrofoam printmaking and Paper Mache with many different kinds of students- from the emotionally challenged, to seniors, prisoners, and homeschoolers. Everybody in Margrit’s family was a teacher. When Margrit told her father that she wanted to be an artist. He said, “You can be an artist but try to help other people with it.” She has spent her life never turning away from outsiders in society. When no one wanted to teach in prisons, Margrit dedicated 17 years to teaching prisoners.
Describe someone who busts the myth for you.
Margrit answered immediately-
“My Aunt Cordelia, no matter what the circumstances she was always exploring, always sharing and including people. I like to see the people who are
really working at their art.” Another inspiration is Louise Nevelson and you can see an element of that influence in in an early print of Margrit's from the 70's.
Is there any new media you would like to learn?
Is there any new media you would like to learn?
Margrit has always wanted
to learn other kinds of printmaking. You
might say it runs in her blood. Her
granddaddy ran the Kentucky Litho. Margrit’s on a new art adventure. “I’m
starting to learn printmaking. I was asked what would I do if I could afford to
do anything? I wanted to learn to make
prints. I just won a grant from the Ohio
Arts Council- it’s a grant for artists with disabilities. I’m using it to join the Dayton Printmaker
Association." Being ever curious Margrit is also going to learn to dye silk.
Do you have a stereotype of an older woman artist? “No make up, bright connecting eyes, good laugh from the belly, acceptance of life’s mistakes, doing what they want to do, busy all the time, living fully, fun and relaxing to intense!”
Hmmm, I looked at Margrit and thought, “Good description of Margrit!”
Have you ever felt stereotyped because of your age?
“Ignored sometimes, like my prime is past.”
Has the aging process made working on your art
different, harder?
Have you made adjustments or tried new ways of
working because of aging? "My knee has been a
problem. I used to do
everything on the floor. Now I sit. I
take naps. I just take a nap when I’m tired." Looking at her current projects, as well as upcoming classes, and exhibit, I would say age hasn't really slowed her down too much.
What advice would you give young artists?
“Be careful of
self-criticism. Do suspend judgment. Keeping working. Try crazy ideas-maybe 20 years
later you’ll have the skills to create it.
Invite people to
work with you. Ask them to show you what
they can’t do.
(They always say
first that they can’t do art.) Then make people know its doable-it’s just
something that we do.”
Is making art any better than when you were younger? I really feel like
I know what I’m doing now. I have so
many ideas, I want to use them and make something.”
Is it still fun?
"I enjoy making a
mess.
I always have, when I was tiny, I was told, I painted my crib with you know what.”
I always have, when I was tiny, I was told, I painted my crib with you know what.”
Corrine says
delightedly “You were a poo artist!”
“At about 4, I
remember, when we went to church, I would be loud and boisterous, my mother
would silently flip over the church bulletin, give me a pencil and point to it
for me to draw. “
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